Synopses & Reviews
This is the book that started it all! The basis for the smash hit Tony Award-winning Broadway musical, Gregory Maguire's breathtaking New York Times bestseller Wicked views the land of Oz, its inhabitants, its Wizard, and the Emerald City, through a darker and greener (not rosier) lens. Brilliantly inventive, Wicked offers us a radical new evaluation of one of the most feared and hated characters in all of literature: the much maligned Wicked Witch of the West who, as Maguire tells us, wasnt nearly as Wicked as we imagined.
Synopsis
When Dorothy triumphed over the Wicked Witch of the West in L. Frank Baum's classic tale, we heard only her side of the story. But what about her arch-nemesis, the mysterious witch? Where did she come from? How did she become so wicked? And what is the true nature of evil?
Gregory Maguire creates a fantasy world so rich and vivid that we will never look at Oz the same way again. Wicked is about a land where animals talk and strive to be treated like first-class citizens, Munchkinlanders seek the comfort of middle-class stability and the Tin Man becomes a victim of domestic violence. And then there is the little green-skinned girl named Elphaba, who will grow up to be the infamous Wicked Witch of the West, a smart, prickly and misunderstood creature who challenges all our preconceived notions about the nature of good and evil.
Synopsis
This is the book that started it all The basis for the smash hit Tony Award-winning Broadway musical, Gregory Maguire's breathtaking
New York Times bestseller
Wicked views the land of Oz, its inhabitants, its Wizard, and the Emerald City, through a darker and greener (not rosier) lens. Brilliantly inventive,
Wicked offers us a radical new evaluation of one of the most feared and hated characters in all of literature: the much maligned Wicked Witch of the West who, as Maguire tells us, wasn't nearly as
Wicked as we imagined.
Synopsis
The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande
With millions of copies in print around the world, Gregory Maguire's Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum's 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination.
Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin--no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz's most promising young citizens.
But Elphaba's Oz is no utopia. The Wizard's secret police are everywhere. Animals--those creatures with voices, souls, and minds--are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals--even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas.
Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name--one of the longest-running plays in Broadway history. Popular, indeed. But while the novel's distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire's Wicked is as unique as its green-skinned witch.
About the Author
Gregory Maguire is the author of several best-selling adult novels, including Wicked, which was turned into a Broadway musical. His books for younger readers include the picture book Crabby Cratchitt, the novel The Good Liar, and the popular Hamlet Chronicles series. While writing Leaping Beauty, Mr. Maguire sadly became allergic to all creatures great and small. Now he lives in a house without pets, though he is the father of three happy, noisy small children to whom, at this writing, he has not yet developed allergies.
Reading Group Guide
Questions for Discussion
1. Gregory Maguire fashioned the name of Elphaba (pronounced EL-fa-ba) from the initials of the author of The Wizard of Oz, Lyman Frank Baum-L-F-B-Elphaba. Wicked derives some of its power from the popularity of its source material. Does meeting up with familiar characters and famous fictional situations require more patience and effort on the part of the reader, or less?
2. Wicked flips the Oz we knew from the classic movie on its head. To what extent does Maguire's vision of Oz contradict the Oz we're familiar with? How have Dorothy and the other characters changed or remained the same? Has Wicked changed your conception of the original? If so, how?
3. The novel opens with a scene in which the Witch overhears Dorothy, the Lion, the Scarecrow, and the Tin Woodman gossiping about her. She's "possessed by demons," they say. "She was castrated at birth . . . she was an abused child . . . she's a dangerous tyrant." How does this scene set the stage for the story, and what themes does it introduce?
4. What is the significance of Elphaba's green skin? What are the rewards of being so different, and what are the drawbacks? In Oz -- and in the real world -- what are the meanings associated with the color green, and are any of them pertinent to Elphaba's character?
5. One of Wicked's key themes is the nature and roots of evil. What are the theories that Maguire sets out? Is Elphaba evil? Are her actions evil? Is there such a thing as evil, a free-floating power in the universe like time or gravity? Or is evil an attribute of the actions of human beings? (Hint: Turn to pages 231 and 370 for scenes that will draw you into the conversation.)
6. Discuss the importance of the Clock of the Time Dragon. Does the Clock simply reflect events, or does it shape them? Why is it significant that Elphaba was born inside it? That Turtle Heart was killed by it? What revelations does it offer to Elphaba and the reader when she reencounters it at the end of the book?
7. The first section of the book ends powerfully but enigmatically when the young Elphaba is discovered under the dock, cradled in the paws of a magical beast as if sitting on a throne. How do you interpret this scene, and what do you think it foretells, if anything?
8. The place of Animals in society is an important theme in Wicked. Why does Elphaba make it her mission to fight for Animal rights? How else does social class define Oz, and why?
9. [Galinda] reasoned that because she was beautiful she was significant, though what she signified, and to whom, was not clear to her yet" (page 65). Discuss the transformation of Galinda, shallow Shiz student, to Glinda the Good Witch. How does she change -- and by how much? What is her eventual "significance," both in Oz and in the story?
10. Discuss the ways in which Elphaba's determination and willfulness lend purpose and order to her life, and the cost of being such a strong character. Elphaba isn't the only strong female character in Wicked. How do Nessarose, Glinda, and Sarima deal with the issues of power and control? Where do each of them draw strength from? Is the world of Maguire's Oz more or less patriarchal than millennial America?
11. Wicked is an epic story, built along the lines of a Shakespearean or Greek tragedy, in which the seeds of Elphaba's destiny are all sown early in the novel. How much of Elphaba's career is predestined, and how much choice does she have? Do you think that she was no more than a puppet of the Wizard or Madame Morrible, as she fears?
12. Early in their unlikely friendship, Galinda catches a glimpse of Elphaba and thinks she "looked like something between an animal and an Animal, like something more than life but not quite Life" (pages 78-79). Discuss the dual, and sometimes contradictory, nature of Elphaba's character. Why does Elphaba insist that she doesn't have a soul?
13. Who or what is Yackle? Where does she appear in the story, and what role does she serve in Elphaba's life? Is she good or evil -- both or neither?
14. Was Elphaba's story essentially a tragedy or a triumph? Did she fail at every major endeavor, and thus fail at life; or because she refused to give up or change to suit the opinions of others, was her life a success? Is there a possibility that Dorothy's "baptismal splash" redeemed Elphaba on her deathbed, or was this the final indignity in a life of miserable mistakes?