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Original Essays | October 18, 2009

Victoria Hislop: IMG From Leprosy to Lorca — Strange Inspiration



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Girl in the Tangerine Scarf

by Mohja Kahf

Girl in the Tangerine Scarf Cover

Synopses & Reviews

Publisher Comments:

Syrian immigrant Khadra Shamy is growing up in a devout, tightly knit Muslim family in 1970s Indiana, at the crossroads of bad polyester and Islamic dress codes. Along with her brother Eyad and her African-American friends, Hakim and Hanifa, she bikes the Indianapolis streets exploring the fault-lines between “Muslim” and “American.”

When her picture-perfect marriage goes sour, Khadra flees to Syria and learns how to pray again. On returning to America she works in an eastern state taking care to stay away from Indiana, where the murder of her friend Tayibas sister by Klan violence years before still haunts her. But when her job sends her to cover a national Islamic conference in Indianapolis, shes back on familiar ground: Attending a concert by her brothers interfaith band The Clash of Civilizations, dodging questions from the “aunties” and “uncles,” and running into the recently divorced Hakim everywhere.

Beautifully written and featuring an exuberant cast of characters, The Girl in the Tangerine Scarf charts the spiritual and social landscape of Muslims in middle America, from five daily prayers to the Indy 500 car race. It is a riveting debut from an important new voice.

Review:

"In comp lit professor Kahf's fiction debut, Khadra Shamy recalls growing up in an immigrant Syrian family in 1970s Indianapolis. Khadra's devout parents raise Khadra and her older brother, Eyad, to be observant of Islamic customs. The inevitable culture clashes ensue, from taunts of 'raghead' and 'go back where you came from' to the varying interpretations of Islamic code among the community's other Muslims. The mutability of ordinary cultural crossroads — along with the shock of violent ones, such as the rape and murder of one of Khadra's friends — force Khadra to continually question what it means to be 'Muslim' or 'American.' After a short and disastrous marriage to an overbearing husband (he forbids her to ride a bike; she has an abortion), Khadra travels to Syria — now mired in political and religious strife — and returns to the United States in the late '80s to continue searching for her own way in the world. Khadra is a compelling protagonist, and the supporting cast is varied and believable, but Kahf's authorial incursions — critiques of religion and society — are heavy-handed. However, Khadra's ever-evolving view of herself and her religion resonate and provide a valuable portrayal of an oft-misunderstood faith." Publishers Weekly (Copyright Reed Business Information, Inc.)

Synopsis:

Punctuated by the five Muslim prayers and set to a disco and glam-rock soundtrack, Girl in the Tangerine Scarf evokes female adolescence in the vein of Cisnero's House on Mango Street and like Allegra Goodman's Kaaterskill Falls looks at orthodox religion against an American backdrop.

Synopsis:

Syrian immigrant Najla Shamy is growing up devoutly Muslim in 1970s Indiana, at the crossroads of bad polyester and Islamic dress codes. With her brother Ayman and the African American brother-sister twins Sharifa and Hakim, Najla bikes the Indanapolis streets and explores the fault-lines between "Muslim" and "American." Meanwhile, the adult Najla is in Kansas City attending the conference of a national Islamic organization, in a present-tense thread that reunites her with friends from the Indianapolis days. Durdana, a Pakistani girl who taught Najla that Skipper should call Barbie "bhaji," the Urdu honorific for older sister, is now a lesbian, but still wears the Muslim headcovering. Ayman has chosen a conservative life devoted to Islamic work. Tayiba, whose sister was killed by Klan violence in a scene that haunts Najla's childhood, treads a middle path. Hakim has begun to slip out of the "militant imam" persona he created for himself to play in a jazz band. Is there a spark of romance between him and Najla, both recently divorced? <BR>Breaking utterly new ground in American literature with this subject matter, Kahf chronicles the material culture and spiritual struggles of Muslims in middle America, with an affectionate — and critical — eye.

About the Author

Born in Damascus, Syria, Mohja Kahf came to the U.S. as a child. Kahf is an associate professor of comparative literature at Rutgers. Her first book of literary scholarship is Western Representations of the Muslim Woman: From Termagant to Odalisque (University of Texas Press, 1999). She is also the author of a book of poetry, E-mails from Sheherazad (University Press of Florida 2003). Kahf is a member of the national group RAWI (Radius of Arab American Writers).

What Our Readers Are Saying

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Average customer rating based on 1 comment:
Shoshana, July 3, 2009 (view all comments by Shoshana)
An awkwardly written novel that becomes more compelling as it gathers steam, The Girl in the Tangerine Scarf is worth reading for content, though not for style. Kahf provides a look at Muslim communities in the Midwest and elsewhere, racism and sexism directed both to and from Muslims, and the immigrant's dislocation. The childhood sections are overly sentimental and do not ring as true as the adolescent and young adult portions. However, Kahf does a relatively good job of depicting the protagonist's stages of religious development, including both extremism and the later recognition of the limitations of her parents' enactment of Islam.

The writing was often wooden and self-conscious, at times loosening up in a way that suggests that the novel was constructed in parts, some ultimately more fluidly rendered than others. The first 2/3 would have been better served by editing out around 100-150 pages to tighten the action and lead more compellingly to the last third, which is, though episodic, more emotionally engaging.

The use of "girl" in the title is strange since, as is made clear by the cover, she has a tangerine scarf as a woman, not as a girl. It is also odd because one of the book's points is that the protagonist is an adult; though a case could be made for the title as ironic, there is no support for this interpretation in the novel.

Future editions would benefit from consistent use of italics (or not) for foreign words, as well as a spelling check for foreign words in languages other than Arabic. Both Spanish and Hebrew words are incorrectly or inconsistently spelled.

One of the synopses posted on Powell's reads like this book's twin in a parallel universe where names and places have been exchanged. Ignore the synopsis about "Najla"--it may have been an early publisher's blurb, but whatever it was, it's not accurate.
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Product Details

ISBN:
9780786715190
Author:
Kahf, Mohja
Publisher:
Carroll & Graf Publishers
Author:
Kahf, Mojha
Subject:
General
Subject:
Literary
Subject:
Muslim women
Subject:
Muslims
Subject:
FICTION / Literary
Subject:
Muslims - Indiana - Social conditions
Edition Description:
Trade Paper
Publication Date:
September 2006
Binding:
Paperback
Grade Level:
General/trade
Language:
English
Pages:
443
Dimensions:
8.18x5.54x.98 in. .80 lbs.

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