Synopses & Reviews
Non-fans regard Céline Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husband's struggle with cancer, her knack for howling out raw emotion. There's nothing cool about Céline Dion, and nothing clever. That's part of her appeal as an object of love or hatred — with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt. This book documents Carl Wilson's brave and unprecedented year-long quest to find his inner Céline Dion fan, and explores how we define ourselves in the light of what we call good and bad, what we love and what we hate.
Review
"'Let's Talk' about one of the most interesting music books you'll read this year... The always critical and erudite Mr. Wilson actually approached 'Let's Talk About Love' as a non-fan grappling with questions of "good" and "bad" taste... It's almost certainly the only installment in the series to discuss French-Canadian race relations, rockism, and Milan Kundera's thoughts on kitsch."
Idolator.com
Review
"It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch. The series... is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration." The New York Times Book Review
Review
"One of the coolest publishing imprints on the planet." Bookslut
Review
"These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these. We are huge nerds." Vice
Review
"A brilliant series... each one a word of real love." NME
Review
"Religious tracts for the rock 'n' roll faithful." Uncut
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"We... aren't naive enough to think that we're your only source for reading about music (but if we had our way... watch out). For those of you who really like to know everything there is to know about an album, you'd do well to check out Continuum's 33 1/3 series of books." Pitchfork
Synopsis
Carl Wilson is not a fan of Celine Dion's music. Like 99.9% of music writers, he can't stand her music's cosmetic drama or its blaringly bland arrangements. But instead of just whining about it he undertakes what he calls a "Dionyssee" an odyssey to teach himself to love her music. Ultimately, this book is a riveting investigation of what it means to love music and what it means to hate music.
Synopsis
Non-fans regard Celine Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husband’s struggle with cancer, her knack for howling out raw emotion. There’s nothing cool about Celine Dion, and nothing clever. That’s part of her appeal as an object of love or hatred with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt. This book documents Carl Wilson's brave and unprecedented year-long quest to find his inner Celine Dion fan, and explores how we define ourselves in the light of what we call good and bad, what we love and what we hate.
About the Author
Carl Wilson is a writer and editor at The Globe and Mail, Canada's national newspaper, and his work also has appeared in Pitchfork, Slate, The New York Times, Blender and many other publications. His pieces were selected for two of Da Capo Books’ annual Best Music Writing collections, in 2002 and 2007, by guest editors Jonathan Lethem and Robert Christgau. He runs the popular music blog Zoilus.com and is part of the team behind Trampoline Hall, Toronto’s acclaimed nightclub series of lectures by non-experts, which toured America in 2002.