Awards
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2010 Morning News Tournament of Books Nominee |
Staff Pick
Pynchon at his most accessible, this labyrinthine noir has a pleasing and mind-bending internal logic. Immerse yourself in this hilarious, brainy, conspiracy-filled caper! Recommended By Adam B., Powells.com
Synopses & Reviews
Part noir, part psychedelic romp, and all Pynchon,
Inherent Vice spotlights private eye Doc Sportello who occasionally comes out of a marijuana haze to watch the end of an era, as free love slips away and paranoia creeps in with the L.A. fog.
It's been awhile since Doc Sportello has seen his ex-girlfriend. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which, he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers, and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dentists.
In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there... or... if you were there, then you... or, wait, is it...
Review
"[Pynchon] applies language to what we know and all we've missed — giving new shape to both....The book is exuberant, delightfully evocative of its era, and very funny." O Magazine
Review
"[M]aster writer Pynchon has created a bawdy, hilarious, and compassionate electric-acid-noir satire spiked with passages of startling beauty." Booklist
Review
"[A] slightly spoofy take on hardboiled crime fiction, a story in which the characters smoke dope and watch Gilligan's Island instead of sitting around a night club knocking back J&Bs." New Yorker
Review
"With whip-smart, psychedelic-bright language, Pynchon manages to convey the Sixties — except the Sixties were never really like this. This is Pynchon's world, and it's brilliant." Library Journal
Review
"Inherent Vice feels fizzily spontaneous — like a series of jazz solos, scenes, and conversations built around little riffs of language." Newsweek
Synopsis
Part noir, part psychedelic romp, and all Pynchon, Inherent Vice spotlights private eye Doc Sportello who occasionally comes out of a marijuana haze to watch the end of an era, as the free love of the 1960s slips away and paranoia creeps in with the L.A. fog.
Synopsis
Soon to be a major motion picture directed by Paul Thomas Anderson (Boogie Nights, There Will Be Blood) and starring Joaquin Phoenix, Benicio del Toro, Josh Brolin, Reese Witherspoon, and more Part noir, part psychedelic romp, all Thomas Pynchon. In the New York Times bestseller Inherent Vice, private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the sixties, you weren't there.
It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Undeniably one of the most influential writers at work today, Pynchon has penned another unforgettable book.
Synopsis
Part noir, part psychedelic romp, all Thomas Pynchon- private eye Doc Sportello comes, occasionally, out of a marijuana haze to watch the end of an era as free love slips away and paranoia creeps in with the L.A. fog It's been awhile since Doc Sportello has seen his ex-girlfriend. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dentists.
In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .
Synopsis
Unabridged CDs ? 13 CDs, 15 hours
Part noir, part psychedelic romp, all Thomas Pynchon-private eye Doc Sportello comes, occasionally, out of a marijuana haze to watch the end of an era as free love slips away and paranoia creeps in with the L. A. fog.
Synopsis
Four interlocking novellas (and twenty footnotes) form a richly comic Pynchonesque feast about love, academia, an elusive Tibetan novelist who might be a plagiarizer, and SOFA, a mysterious protest group whose very initials are ambiguous.
Synopsis
Four interlocking narratives set in four American cities form a richly comic feast about love, academia, an elusive Tibetan novelist—and SOFA, a protest group so mysterious its very initials are open to interpretation.
Bad Teeth follows a cast of young literary men and women, each in a period of formation, in four very American cities—Brooklyn, Bloomington, Berkeley, and Bakersfield. A Pynchonesque treat, its four (or more) books in one: a bohemian satire, a campus comedy, a stoners reverie, and a quadruple love story. The plots coalesce around the search for a mysterious author, Jigme Drolma (“the Tibetan David Foster Wallace”), who might in fact be a plagiarist. But how does the self-styled arch-magician Nicholas Bendix figure into this? What will happen when SOFA unleashes the “Apocalypse”? And whats to become of Lump, the cat?
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About the Author
Thomas Pynchon is the author of V, The Crying of Lot 49, Gravity's Rainbow, Slow Learner (a collection of short stories), Vineland, Mason and Dixon and, most recently, Against the Day. He received the National Book Award for Gravity's Rainbow in 1974.