Staff Pick
This oft-banned book is a must-read for any fan of sci-fi or fantasy. In a world where the soul takes the shape of an animal companion, or daemon, young Lyra Belacqua and her daemon, Pan, leave their home in Oxford to embark on a dangerous adventure to the Arctic — and beyond. This trilogy contains some of the most thoughtful, beautifully written genre fiction I've ever encountered. Recommended By Madeline S., Powells.com
Synopses & Reviews
In a landmark epic of fantasy and storytelling, Philip Pullman invites readers into a world as convincing and thoroughly realized as Narnia, Earthsea, or Redwall. Here lives an orphaned ward named Lyra Belacqua, whose carefree life among the scholars at Oxford's Jordan College is shattered by the arrival of two powerful visitors. First, her fearsome uncle, Lord Asriel, appears with evidence of mystery and danger in the far North, including photographs of a mysterious celestial phenomenon called Dust and the dim outline of a city suspended in the Aurora Borealis that he suspects is part of an alternate universe. He leaves Lyra in the care of Mrs. Coulter, an enigmatic scholar and explorer who offers to give Lyra the attention her uncle has long refused her. In this multilayered narrative, however, nothing is as it seems. Lyra sets out for the top of the world in search of her kidnapped playmate, Roger, bearing a rare truth-telling instrument, the compass of the title. All around her children are disappearing--victims of so-called Gobblers--and being used as subjects in terrible experiments that separate humans from their daemons, creatures that reflect each person's inner being. And somehow, both Lord Asriel and Mrs. Coulter are involved.
Review
"Fantastic....A shattering tale that begins with a promise and delivers an entire universe." Kirkus Reviews
Review
"Very grand indeed...scene after scene of power and beauty." The New York Times Book Review
Review
"Arguably the best juvenile fantasy novel of the past 20 years....It's sheerly, breathtakingly, all-stops-out thrilling." The Washington Post
Review
Praise for Dreamwood
"Wildly inventive. Like this novel, Lucy is brave, smart, and destined for greatness."—Holly Goldberg Sloan, New York Times bestselling author of Counting By 7s
* “An original fantasy for middle-grade readers plaits together science, the supernatural and deep ecology . . . The carefully plotted twists and turns will keep readers absorbed to the end. A stunning debut with equal parts originality and heart.”—Kirkus Reviews, starred review
“Mackeys descriptions of the creatures and hazards of the dreamwood are gorgeous and lush, a fantastic setting for a fantastic tale.” —Booklist
“Vivid descriptions (such as a tree that digests blood and sea serpents that can be harnessed to speed a boat ride) capture the imagination at every turn…a breathless page turner.” —School Library Journal
Synopsis
Now available in true digest format comes Pullman's bestselling fantasy of Lyra Belacqua and her daemon familiar, Pantalaimon. When her uncle returns from the North with tales of mystery and danger, his visit sets off a chain of events that draws Lyra into the heart of a terrible struggle.
Synopsis
When Lyra and her daemon Pantalaimon decide to spy on a presentation her uncle, the commanding Lord Asriel, is making to the elders of Jordan College, they have no idea that they will become witnesses to an attempted murder and even less that they are taking the first steps in a journey that will lead them into danger and adventure unlike anything Lyra's unfettered imagination has conjured up.
Though she has been raised at the college in an atmosphere of benign neglect that has allowed her to become a half-wild child of the streets, Lyra soon finds herself apprenticed to the elegant Mrs. Coulter and in possession of a strange device called the alethiometer, a "golden compass" that reads not true worth, but truth itself.
But truth is a precious commodity, and before long Lyra and Pan are running for their lives, the object of an obsessive hunt by mysterious forces who have been stealing children for dark purposes that no one understands. Lyra will need all her street-learned wiles if she and Pan are to survive.
Synopsis
Lyra Belaqua is content to run wild among the scholars of Jordan College, with her daemon familiar Pantalaimon always by her side. But the arrival of her fearsome uncle, Lord Asriel, draws her to the heart of a terrible strugglea struggle born of Gobblers and stolen children, witch clans and armored bears. And as she hurtles toward danger in the cold, far North, young Lyra never suspects the shocking truth: She alone is destined to win, or to lose, this more-than-mortal battle.
Synopsis
Lucy Darrington has no choice but to run away from boarding school. Her father, an expert on the supernatural, has been away for
too long while doing research in Saarthe, a remote territory in the Pacific Northwest populated by towering redwoods, timber barons, and the Lupine people. But upon arriving, she learns her father is missing: Rumor has it hes gone in search of dreamwood, a rare tree with magical properties that just might hold the cure for the blight thats ravaging the forests of Saarthe.
Determined to find her father (and possibly save Saarthe), Lucy and her vexingly stubborn friend Pete follow William Darringtons trail to the deadly woods on Devils Thumb. As they encounter Lupine princesses, giant sea serpents, and all manner of terrifying creatures, Lucy hasnt reckoned that the dreamwood itself might be the greatest threat of all.
About the Author
After an early job counting dead bugs in an entomology lab,
Heather Mackey realized she was better at making up stories about imaginary science than practicing the real thing. She lives in Northern Californiawith her husband and two kidswhere shes still perfecting the ultimate dance party playlist.
Reading Group Guide
The questions, discussion topics, and author information that follow are intended to enhance your group's reading of
The Golden Compass. We hope that this guide will help you to navigate - alongside the story's young protagonist, Lyra Belacqua - Philip Pullman's richly imagined universe, populated by armored bears, gyptians, witches, and human beings, whose dæmons are never far from their side.
Dæmons are one of the most striking, charming, and powerful images in
The Golden Compass. These spirit-creatures, which seem like physical representations of the human soul, can change form to reflect the myriad of emotional states their humans go through as children. But in adulthood, each dæmon settles into the animal form that best reflects the inner nature of its human counterpart. It is in this unusual and imaginative creation that Pullman turns his sharpest mirror back onto his readers, helping us to imagine our own souls as precious, living extensions of ourselves that we can love, challenge, or even betray.
The Golden Compass is a complex story that turns on a simple word: "Dust." This Dust does not gather in the unswept corners of Jordan College, Lyra's Oxford home. Rather, this Dust seems to reveal - or perhaps contain - the thing that makes each human being a unique creature. The concept of Dust provokes fear in some; others realize that mastery over Dust could be the source of great power. Although she does not quite realize it, Lyra - along with her dæmon Pantalaimon - finds her life inextricably entangled with the exploration of Dust. And as her understanding of Dust and her mastery over a mysterious tool called the alethiometer increases, the dangerous journey that she seems destined to make takes some astounding twists and turns.
1. The author tells us that The Golden Compass takes place "in a universe like ours, but different in many ways." How do you think Lyra's universe relates to ours?
2. What is a dæmon? How do they make humans different from other creatures? Why do you think servants' dæmons are always dogs? What sort of dæmons might your friends, relatives, classmates, or coworkers have? Describe your own dæmon.
3. The world of The Golden Compass is ruled by the Church. However, the nature of its power is unclear. What power do you think the Church holds over its people?
4. On pages 89-90, the General Oblation Board is explained in reference to the historical sacrifice of children to cloistered life. "Oblation" refers to the act of making a religious offering. What offering does the General Oblation Board make and to whom?
5. Human knowledge and experience are made physical in Dust. What other psychological, intellectual, or spiritual activities does the author physicalize?
6. What is the relationship between "severing" and death? Is the author using this fantasy to explore the notion of psychic or moral death?
7. Why do you think the author stresses that Lyra is not an imaginative child? Why would "imagination" be dangerous to her? How would it affect her understanding of the alethiometer? Is Lyra a truth-seeker? Who is Lyra Belacqua and/or what does she symbolize?
8. In what ways is gender a significant or stratifying element in the novel? Why do you think all witches are female? Why are dæmons usually the opposite gender of their human counterparts? Is the fact that Lyra is a girl-child relevant to the themes of the story?
9. Alongside human society in The Golden Compass, there exists the community of the armored bears, who have their own hierarchical structure and moral code. In one way Svalbard seems little more than an interesting foil to the human condition, yet the bear kingdom is also a final destination, the site of the story's climactic conclusion. What do you think is the author's purpose in inventing - and exploring - the world of the armored bear?
10. The author has filled this novel with binary imagery: person-dæmon; mother-father; Iorek-Iofur; Lyra's universe-the universe in the Aurora. What other binarisms can you find in the structure, landscape imagery, and vocabulary of this fantasy? How do these dualistic elements affect the novel's larger themes?
11. Discuss Lyra's "betrayal" of Roger in relation to other betrayals that occur in the novel. Has reading The Golden Compass altered your understanding of the act of betrayal?
12. Are Lord Asriel and Mrs. Coulter in collusion or are they fighting each other? How and in what way?
13. Curiously absent from The Golden Compass are four words that are prevalent in most fantasy adventures: right, wrong, good, and evil. Can these terms be applied to this story? How and why, or why not?
14. On the last page of the book, Lyra and Pantalaimon recognize that they are still "one being; both of us are one." The expression resonates with a phrase from marriage ceremonies. Contrast this moment in the story with the preceding interplay between Lyra's parents.
15. The Golden Compass is the first book in the trilogy His Dark Materials, which gets its name from a passage in John Milton's Paradise Lost, quoted at the beginning of the novel. Philip Pullman has said, "Milton's angels are not seriously meant to be believed - beings with wings and halos and white robes. They are psychological qualities, conceived and pictured as personalities. With them, Milton tells one of the central tales of our world: the story of the temptation and fall of humankind." Discuss the passage from Paradise Lost and this statement from the author in relation to The Golden Compass.
16. When Lyra walks "into the sky" at the end of Book One, we can presume that she is walking into the world of Book Two of His Dark Materials - "the universe that we know." What do you think will happen to her and Pantalaimon when they cross the bridge?
1. The author tells us that
The Golden Compass takes place "in a universe like ours, but different in many ways." How do you think Lyra's universe relates to ours?
2. What is a dæmon? How do they make humans different from other creatures? Why do you think servants' dæmons are always dogs? What sort of dæmons might your friends, relatives, classmates, or coworkers have? Describe your own dæmon.
3. The world of The Golden Compass is ruled by the Church. However, the nature of its power is unclear. What power do you think the Church holds over its people?
4. On pages 89-90, the General Oblation Board is explained in reference to the historical sacrifice of children to cloistered life. "Oblation" refers to the act of making a religious offering. What offering does the General Oblation Board make and to whom?
5. Human knowledge and experience are made physical in Dust. What other psychological, intellectual, or spiritual activities does the author physicalize?
6. What is the relationship between "severing" and death? Is the author using this fantasy to explore the notion of psychic or moral death?
7. Why do you think the author stresses that Lyra is not an imaginative child? Why would "imagination" be dangerous to her? How would it affect her understanding of the alethiometer? Is Lyra a truth-seeker? Who is Lyra Belacqua and/or what does she symbolize?
8. In what ways is gender a significant or stratifying element in the novel? Why do you think all witches are female? Why are dæmons usually the opposite gender of their human counterparts? Is the fact that Lyra is a girl-child relevant to the themes of the story?
9. Alongside human society in The Golden Compass, there exists the community of the armored bears, who have their own hierarchical structure and moral code. In one way Svalbard seems little more than an interesting foil to the human condition, yet the bear kingdom is also a final destination, the site of the story's climactic conclusion. What do you think is the author's purpose in inventing - and exploring - the world of the armored bear?
10. The author has filled this novel with binary imagery: person-dæmon; mother-father; Iorek-Iofur; Lyra's universe-the universe in the Aurora. What other binarisms can you find in the structure, landscape imagery, and vocabulary of this fantasy? How do these dualistic elements affect the novel's larger themes?
11. Discuss Lyra's "betrayal" of Roger in relation to other betrayals that occur in the novel. Has reading The Golden Compass altered your understanding of the act of betrayal?
12. Are Lord Asriel and Mrs. Coulter in collusion or are they fighting each other? How and in what way?
13. Curiously absent from The Golden Compass are four words that are prevalent in most fantasy adventures: right, wrong, good, and evil. Can these terms be applied to this story? How and why, or why not?
14. On the last page of the book, Lyra and Pantalaimon recognize that they are still "one being; both of us are one." The expression resonates with a phrase from marriage ceremonies. Contrast this moment in the story with the preceding interplay between Lyra's parents.
15. The Golden Compass is the first book in the trilogy His Dark Materials, which gets its name from a passage in John Milton's Paradise Lost, quoted at the beginning of the novel. Philip Pullman has said, "Milton's angels are not seriously meant to be believed - beings with wings and halos and white robes. They are psychological qualities, conceived and pictured as personalities. With them, Milton tells one of the central tales of our world: the story of the temptation and fall of humankind." Discuss the passage from Paradise Lost and this statement from the author in relation to The Golden Compass.
16. When Lyra walks "into the sky" at the end of Book One, we can presume that she is walking into the world of Book Two of His Dark Materials - "the universe that we know." What do you think will happen to her and Pantalaimon when they cross the bridge?