Synopses & Reviews
Stieg Larsson’s Millennium Trilogy is now available in a complete hardcover set.
All across America, readers are talking about Stieg Larsson’s best-selling novels, set in Sweden and featuring Lisbeth Salander—“one of the most original and memorable heroines to surface in a recent thriller” (The New York Times). The trilogy is an international sensation that will grab you and keep you “reading with eyes wide open” (San Francisco Chronicle). “[It] is intricately plotted, lavishly detailed but written with a breakneck pace and verve” (The Independent, U.K.), but “be warned: the trilogy is seriously addictive.” (The Guardian, U.K.).
“Believe the hype . . . It’s gripping stuff.”
—People
“Stieg Larsson clearly loved his brave misfit Lisbeth. And so will you.”
—USA Today
“Larsson has bottled lightning.”
—Los Angeles Times
The Girl with the Dragon Tattoo
Harriet Vanger, a scion of one of Sweden’s wealthiest families disappeared without a trace more than forty years ago. All these years later, her aged uncle continues to try to discover what happened to her. He hires Mikael Blomkvist, a journalist recently sidelined by a libel conviction, to investigate. Blomkvist is aided by the pierced and tattooed computer prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption on their way to discovering the truth of Harriet Vanger’s fate.
The Girl Who Played with Fire
Mikael Blomkvist, now the crusading publisher of the magazine Millennium, has decided to run a story that will expose an extensive sex trafficking operation. On the eve of its publication, the two reporters responsible for the article are murdered, and the fingerprints found on the murder weapon belong to his friend Lisbeth Salander. Blomkvist, convinced of Salander’s innocence, plunges into an investigation of the murders. Meanwhile, Salander herself is drawn into a murderous game of cat and mouse, which forces her to face her dark past.
The Girl Who Kicked the Hornet’s Nest
Lisbeth Salander lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She’s fighting for her life in more ways than one: if and when she recovers, she’ll be taken back to Stockholm to stand trial for three murders. With the help of Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. On her own, she will plot revenge—against the man who tried to kill her, and against the corrupt government institutions that very nearly destroyed her life.
“Unique and fascinating . . . Like a blast of cold, fresh air.”—Chicago Tribune
“Wildly suspenseful . . . Intelligent, ingeniously plotted, utterly engrossing.”
—The Washington Post
“A gripping, stay-up-all-night read.” —Entertainment Weekly
“Dynamite.” —Variety
Review
"Salander is such a bravura heroine...that we'd willingly follow her through any bramble bush of a plot....There are few characters as formidable as Lisbeth Salander in contemporary fiction of any kind. She will be sorely missed." Booklist (starred review)
Review
"Fans will not be disappointed: this is another roller-coaster ride that keeps you reading far too late into the night. Intricate but flawlessly plotted, it has complex characters as well as a satisfying, clear moral thrust." Evening Standard (U.K.)
Review
"[The trilogy] is intricately plotted, lavishly detailed but written with a breakneck pace and verve....[Hornet's Nest] is a tantalizing double finale — first idyllic, then frenetic....Larsson has made the literary moods of saga and soap opera converge — with suspense as the adhesive." The Independent (U.K.)
Review
"Larsson has produced a coup de foudre, a novel that is complex, satisfying, clever, moral....This is a grown-up novel for grown-up readers, who want something more than a quick fix and a car chase. And it's why the Millennium trilogy is rightly a publishing phenomenon all over the world." The Guardian (U.K.)
Review
"Wildly suspenseful . . . Intelligent, ingeniously plotted, utterly engrossing." The Washington Post
Review
"Unique and fascinating . . . Like a blast of cold, fresh air." Chicago Tribune
Synopsis
The stunning third and final novel in Stieg Larsson's internationally best-selling trilogy.
Lisbeth Salander — the heart of Larsson's two previous novels — lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She's fighting for her life in more ways than one: if and when she recovers, she'll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge — against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life.
Once upon a time, she was a victim. Now Salander is fighting back.
Synopsis
The New York Times and # 1 international bestselling author Jussi Adler-Olsen returns with another shocking cold case in his exhilarating Department Q series.
Detective Carl Mørck holds in his hands a bottle that contains old and decayed message, written in blood. It is a cry for help from two young brothers, tied and bound in a boathouse by the sea. Could it be real? Who are these boys, and why werent they reported missing? Could they possibly still be alive?
Carls investigation will force him to cross paths with a woman stuck in a desperate marriage- her husband refuses to tell her where he goes, what he does, how long he will be away. For days on end she waits, and when he returns she must endure his wants, his moods, his threats. But enough is enough. She will find out the truth, no matter the cost to her husbandor to herself.
Carl and his colleagues Assad and Rose must use all of their resources to uncover the horrifying truth in this heart-pounding Nordic thriller from the #1 international bestselling author Jussi Adler-Olsen.
Synopsis
The New York Times and # 1 international bestselling author Jussi Adler-Olsen returns with another shocking cold case in his exhilarating Department Q series.
Detective Carl Mørck holds in his hands a bottle that contains old and decayed message, written in blood. It is a cry for help from two young brothers, tied and bound in a boathouse by the sea. Could it be real? Who are these boys, and why werent they reported missing? Could they possibly still be alive?
Carls investigation will force him to cross paths with a woman stuck in a desperate marriage- her husband refuses to tell her where he goes, what he does, how long he will be away. For days on end she waits, and when he returns she must endure his wants, his moods, his threats. But enough is enough. She will find out the truth, no matter the cost to her husbandor to herself.
Carl and his colleagues Assad and Rose must use all of their resources to uncover the horrifying truth in this heart-pounding Nordic thriller from the #1 international bestselling author Jussi Adler-Olsen.
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About the Author
Stieg Larsson, who lived in Sweden, was the editor-in-chief of the magazine Expo and a leading expert on antidemocratic, right-wing extremist and Nazi organizations. He died in 2004, shortly after delivering the manuscripts for The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet's Nest.
Reading Group Guide
The questions, discussion topics, and reading list that follow are intended to enhance your reading group’s discussion of The Girl Who Kicked the Hornet’s Nest, the final novel in Stieg Larsson’s sensational Millennium trilogy.
1. Have you read the two previous novels in the trilogy,
The Girl with the Dragon Tattoo and
The Girl Who Played with Fire? Which of the three did you find the most compelling, and why?
2. What is the “hornet’s nest” of the title?
3. Each part of Hornet’s Nest begins with a brief history lesson about women warriors. What was Larsson trying to say? Is Salander a modern-day equivalent of these women? Is Berger?
4. What are some of the major themes of this novel? Of the trilogy?
5. How does Larsson’s background as an expert in right-wing extremist organizations inform this novel, and the trilogy as a whole?
6. Many characters in Larsson’s trilogy have some good and some bad in them. Can you name a few? What makes them different from the clear heroes or villains in the books?
7. After everything that happened in the first two novels, why does Salander still distrust Blomkvist? How would you describe their relationship?
8. On page 134, Clinton describes the Section: “What you have to understand is that the Section functions as the spearhead for the total defence of the nation. We’re Sweden’s last line of defence. Our job is to watch over the security of our country. Everything else is unimportant.” Aside from Clinton, who else believes this? Why are they so convinced?
9. Can you imagine a group like the Section operating in this country? Why, or why not?
10. On Berger’s first day at her new job, the departing editor in chief offers his theory about why she was hired (page 152). Do you agree with his assessment? How does this notion play out?
11. Armansky tells Blomkvist, “For once you’re not an objective reporter, but a participant in unfolding events. And as such, you need help. You’re not going to win on your own” (page 159). Why is this situation different from those in the previous two novels? How does becoming a participant change Blomkvist’s behavior? Does Blomkvist cross any ethical lines?
12. On page 168, Larsson writes about Salander, “She wondered what she thought of herself, and came to the realization that she felt mostly indifference towards her entire life.” What has made her feel this way? Do her feelings change by the end of the novel?
13. Again and again, men underestimate Salander because of her size. Why do they make these assumptions? How does she turn this into an advantage?
14. What is the significance of Borgsjö’s involvement with a company that uses child labor? How does this tie in to Larsson’s overall themes?
15. On page 295, Salander discovers a gruesome fact about Teleborian. “She should have dealt with Teleborian years ago. But she had repressed the memory of him. She had chosen to ignore his existence.” How does this jibe with Salander’s behavior in the present day? When did she decide to stop letting people get away with things?
16. Discuss the notion of revenge in this novel, and throughout the trilogy. Who, besides Salander, exacts revenge? What motivates them?
17. What role does Annika play in the novel? And Ekström?
18. On page 359, Salander reaches out to Berger and offers to help. Why?
19. What is the significance of the subplot about Berger’s stalker?
20. During his interview with She, Blomkvist agrees with the host’s suggestion that the Section’s behavior is akin to mental illness. Do you agree with that idea? How are accusations of mental illness wielded elsewhere in the trilogy?
21. “When it comes down to it, this story is not primarily about spies and secret government agencies; it’s about violence against women, and the men who enable it.” So says Blomkvist on page 514. What else is it about?
22. If she’s not in love with Miriam, why does Salander go to Paris?
23. When deciding what to do about Niedermann, Salander thinks of Harriet Vanger. Where do their stories diverge?
24. The very last sentence of the trilogy is, “She opened the door wide and let him into her life again.” How do you imagine things proceed from here for Salander? For Blomvkist?