Synopses & Reviews
Poetry. In his third book, Ben Doller troubles the blast zone where evolution and manifest destiny collide. Working from primary sources including Captain William Dampier's pirate narratives and the Widow Ching legend (as immortalized by Borges), DEAD AHEAD develops a semi-psychological narrative along the lines of description, variation, embodiment, and pastiche/"piracy." While Dampier is (in)famous for both his practical and linguistic piracy—stealing words into the English language such as "barbecue" and "avocado"—the Widow Ching famously commandeered the pirate fleet of her husband yet ultimately relinquished her power in response to nature's signs and portents. Doller sets about bringing these sources together in a 21st-century collagist text, a critique of language, naturalness, and empowerment. With meditations on common, colonizing objects—such as the porch, the column, and the city—the poems in DEAD AHEAD look straight on at the pleasures of stealing, the perils of travel, and the ends of the earth.
Synopsis
"In Dead Ahead Ben Doller mixes the propositional logic of analytical philosophy with the brightly festooned cultural logic of Marianne Moore or John Ashbery, fusing high and low, formal and demotic registers in a mobile force field."Michael Davidson
Ben Doller's third book troubles the blast zone where evolution and manifest destiny collide.
Synopsis
"What, along the line, lies dead ahead? Nothing so dull as a straightaway here: only lyrical twists of euphony."
About the Author
Ben Doller (ne Doyle) is the author of the books Radio, Radio (Louisiana State University Press, 2001), selected by Susan Howe for the 2000 Walt Whitman Award; FAQ: (Ahsahta Press, 2009); and DEAD AHEAD (Fence Books, 2010). Doller co-edits the Kuhl House Contemporary Poets series and has taught in sundry states. He lives in Los Angeles with Sandra Doller (nee Miller) and their animals.