Synopses & Reviews
The acclaimed director of Mishima, American Gigolo, Hard Core, Blue Collar, Cat People also the screenwriter for Taxi Driver, Paul Schrader here analyzes the film style of three great directors—Yasajiro Ozu, Robert Bresson, Carl Dreyer—and posits a common dramatic language by these artists from divergent cultures. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state with austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This important book is an original contribution to film analysis and a key work by one of our most searching directors and writers.
Synopsis:
"The acclaimed director of Mishima, American Gigolo, Hard Core, Blue Collar, Cat People also the screenwriter for Taxi Driver, Paul Schrader here analyzes the film style of three great directors--Yasaji"
Synopsis:
'Schrader believes that directors from varied cultural backgrounds have, by their approach to specific films, created a common style of three great director's individual choice of subject and philosophical assumptions and can be recognized through detailed criticism.' -Library Journal
About the Author
Paul Schrader is the acclaimed director of Mishima, American Gigolo, Hard Core, Blue Collar, Cat People and the screenwriter for Taxi Driver.