Synopses & Reviews
"(Baker's) heartbreaking works of staggering focus have actually rescued realism from the aesthetic scrap heap" -- Helen Shaw, Time Out New York
"Baker has as natural an ear for how people talk--and shut up--as any American playwright of recent years... She is the aural equivalent of a good photo-realist painter, someone who makes us see the quotidian in such heightened detail that it looks almost shockingly new." --Ben Brantley, New York Times
"Baker is a writer whose plays have a quiet, hypnotic charm, a grace and humor. She's able to take ordinary, low-key situations--a small-town acting class, guys wasting time in an alley behind a cafe--and fill them with gentle comedy, generosity of spirit and an eye (and ear) for the foibles that make us all so hopelessly human." --Village Voice
With her quartet of plays set in small-town Vermont, twenty-nine-year-old Annie Baker is making a big impact on the American theater. Circle Mirror Transformation, which takes place in a summer acting class and alternates between theater exercises and moments between classmates, shares the 2010 OBIE Award for Best Play with The Aliens, Baker's "gentle and extraordinarily beautiful new play" (The New York Times) that explores weighty topics of love and death through the easy banter of the slackers behind the local coffee shop. Also included in The Vermont Plays is Body Awareness, set during Body Awareness Week at the local college, and Nocturama, in which a twenty-six-year-old Brooklynite returns to live with his mom and video game obsessed stepfather.
Annie Baker's plays include Body Awareness, Circle Mirror Transformation, The Aliens, The End of the Middle Ages, and Nocturama. Her honors include a New York Drama Critics Circle Special Citation, a Susan Smith Blackburn Prize nomination, and a Time Warner Storytelling Fellowship.
Review
NAMED BEST YOUNG PLAYWRIGHT OF 2010 BY
THE VILLAGE VOICEThe Aliens
FIVE STARS: "Baker has a soft spot for the abandoned, the discarded, the hard luck case... her heartbreaking works of staggering focus have actually rescued realism from the aesthetic scrap heap" -- Helen Shaw, Time Out New York
"Baker may just have the subtlest way with exposition of anyone writing for the theater today... There is something distinctly Chekhovian in the way her writing accrues weight and meaning simply through compassionate, truthful observation." -- Charles Isherwood, New York Times
Our first glimpse in Britain of work by Annie Baker, the much-lauded young US dramatist...evinces a real talent for the kind of gentle humour that illustrates how the sadness and the silliness of life are interwoven.” -- Paul Taylor, The Independent
FOUR STARS: What I like about this play is that its funny, but doesnt go for easy laughs. It has the courage to be, like its central characters, quite unambitious.” -- Dominic Cavendish, The Telegraph
Bakers play will have you laughing one moment and tearing up the next..” -- Jenna Scherer, Boston Herald
Circle Mirror Transformation
"Annie Baker's play is an absolute feast. Circle Mirror Transformation is the kind of unheralded gem that sends people into the streets babbling and bright-eyed with the desire to spread the word. The play traces the lives of a handful of small-town Vermont residents who gather each week for an acting class taught at the local community center. By the play's end we seem to see to the very bottom of these souls, and feel how the artificial intimacy of the acting class has shaped their lives in substantial ways.” -- Charles Isherwood, The New York Times
"
Orchestrated with a subtlety and unfailing naturalness that make the play's small revelations disarming and unexpected. The characterizations display a miniaturist attention to detail that goes down to the bone
Baker is never blind to their weaknesses and faults, yet regards them all with a warm, empathetic eye." -- David Rooney, Variety
"Baker develops her characters slowly through their interactions each week in class, which is the only place we see them. Naturally, their real, offstage lives gradually infiltrate the classroom, revealing insights and transformations both humorous and heartbreaking." -- Jessica Farrar, Associated Press
FIVE STARS: The way that a complete picture of each of the characters is built up is stunningly accurate. A little room sucks in the whole world.” -- Aleks Sierz, The Arts Desk
FOUR STARS: A quirky, entertaining and quietly poignant piece
Scenes as apparently aimless as a group count-up to 10 or a dialogue improvised using nonsense words acquire a sudden powerful intensity as latent emotions bubble to the surface.” -- Dominic Cavendish, The Telegraph
FOUR STARS: A Disarming surprise
The piece is remarkably open-minded in its supple, low-key way, shifting from the preposterous to the poignant, the tender to the silly, with a sharply observant but uncensorious spirit.” -- Paul Taylor, The Independent
FOUR STARS: Bakers writing is compassionate, cinematic (in an understated sort of way) and wonderfully, wonderfully droll.” -- Andrzej Lukowski, Time Out London
...Baker's play, which does not have an intermission and is divided into episodes that correspond to the weeks of the class, walks a careful line between satirizing how people look to the arts to solve their problems and admiring them for having the guts to do so. It would be too easy to be mean to these people, and while Circle Mirror Transformation eschews sentimentality, it always seems to believe in the promise of the third word of its title." -- Chris Jones, Chicago Tribune
Body Awareness
"An engaging new comedy by a young playwright with a probing, understated voice...Its quiet rewards steal up on you." -- Charles Isherwood, The New York Times
"Sexuality's endless capacity to make us miserable is the keynote of Annie Baker's gentle satire, which takes just four actors and 90 minutes to spin an astonishingly complex web of emotions and ideas...Body Awareness is a smart, modest work about ordinary, flawed people, grasping for connection, but none of it feels small, thanks to Baker's sharp ear for the deeply painfuland funnylongings squirming under her characters' dialogue. What a beautiful start to a young playwright's theatrical body of work." -- David Cote, Time Out New York
In rising playwright Annie Bakers Body Awareness, you can surely see the seeds of compassionate humanism and warm comedy that have helped make her such a rapid success.” Chris Jones, Chicago Tribune
Highly Recommended! What distinguishes Body Awareness is Annie Bakers wealth of empathy for her troubled, fallible characters. Throughout, Bakers touch remains both daring and marvelously subtle, suggesting layers of personal history in a few deft strokes.” -- John Beer, Time Out Chicago
Synopsis
"An original voice, appealing quirkiness, and an astute sense of what makes people tick."Daily News (New York)
"There is something distinctly Chekhovian in the way her writing accrues weight and meaning simply through compassionate, truthful observation."The New York Times
With her quartet of plays set in small-town Vermont, twenty-nine-year-old Annie Baker is making a big impact on the American theater. Circle Mirror Transformation, which takes place in a summer acting class and alternates between theater exercises and moments between classmates, shares the 2010 OBIE Award for Best Play with The Aliens, Baker's "gentle and extraordinarily beautiful new play" (The New York Times) that explores weighty topics of love and death through the easy banter of the slackers behind the local coffee shop. Also included in The Vermont Plays is Body Awareness, set during Body Awareness Week at the local college, and Nocturama, in which a twenty-six-year-old Brooklynite returns to live with his mom and video game obsessed stepfather.
Annie Baker's plays include Body Awareness, Circle Mirror Transformation, The Aliens, The End of the Middle Ages, and Nocturama. Her honors include a New York Drama Critics Circle Special Citation, a Susan Smith Blackburn Prize nomination, and a Time Warner Storytelling Fellowship.
Synopsis
The debut collection of a celebrated new American playwright.
Synopsis
"Baker may just have the subtlest way with exposition of anyone writing for the theater today... There is something distinctly Chekhovian in the way her writing accrues weight and meaning simply through compassionate, truthful observation." --Charles Isherwood, New York Times
"Baker has a soft spot for the abandoned, the discarded, the hard luck case... her heartbreaking works of staggering focus have actually rescued realism from the aesthetic scrap heap" -- Helen Shaw, Time Out New York
"Baker is a writer whose plays have a quiet, hypnotic charm, a grace and humor. She's able to take ordinary, low-key situations--a small-town acting class, guys wasting time in an alley behind a cafe--and fill them with gentle comedy, generosity of spirit and an eye (and ear) for the foibles that make us all so hopelessly human." --Village Voice
The debut play collection of Annie Baker includes The Aliens: an exploration of friendship and music in the lives of three misfits behind a coffee shop; Circle Mirror Transformation: a meditation on life within the rhythms of an adult drama class; Nocturama: A dark comedy in which a grown son returns home to live with his mother and stepfather; and Body Awareness: a close look at a nontraditional family dealing with an unexpected guest.
Annie Baker's other plays include The Flick and an adaptation of Uncle Vanya. She won an Obie Award for Best New American Play for The Aliens and Circle Mirror Transformation. She is a 2011 United States Artists Fellow and a resident playwright at the Signature Theatre.